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Pablo Corral Vega
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nat Geo Traveler, Oct. 1997
  • Nature Conservancy, August 1995
  • Nature Conservancy, August 1995
  • Nature Conservancy, August 1995
  • Geo Deutschland, March 2000
  • Geo Deutschland, March 2000
  • Geo Deutschland, March 2000
  • Geo Deutschland, March 2000
  • Geo Deutschland, March 2000
  • Geo Deutschland, March 2000
  • PDN, Feb 1996
  • PDN, Feb 1996
  • PDN, Feb 1996
  • Audubon, September 1999
  • Audubon, September 1999
  • Audubon, September 1999
  • Audubon, September 1999
  • Audubon, September 1999
  • Audubon, September 1999
  • Audubon, September 1999
  • Planeta Humano, Spain, Feb 2001
  • Planeta Humano, Spain, Feb 2001
  • Planeta Humano, Spain, Feb 2001
  • Planeta Humano, Spain, Feb 2001
  • Planeta Humano, Spain, Feb 2001
  • Planeta Humano, Spain, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • National Geographic Magazine, Feb 2001
  • Revista de El País, España
  • Revista de El País, Espa?a
  • Revista de El Pa?s, Espa?a
  • Revista de El Pa?s, Espa?a
  • Revista de El Pa?s, Espa?a
  • Revista de El Pa?s, Espa?a
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • National Geographic Magazine, Dec 2003
  • Geo Deutschland, August 2005
  • Geo Deutschland, August 2005
  • Geo Deutschland, August 2005
  • Geo Deutschland, August 2005
  • Geo Deutschland, August 2005
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006
  • Geo France, May 2006

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bestiarioamericano
Club retro futurista en la ciudad de México Club retro futurista en la ciudad de México
Mi abuela contaba que las viudas recibían pésame Mi abuela contaba que las viudas recibían pésame vestidas íntegramente de negro y sentadas en su cama. Se presumía que una viuda no tenía la fortaleza para salir de sus aposentos. El negro era una mortaja que debía vestir hasta el final de sus días. / My grandmother used to say that widows received condolences dressed entirely in black and sitting on their beds. It was presumed that a widow did not have the fortitude to leave her chambers. Black was a shroud she was to wear until the end of her days.
Como las dos Fridas, conectadas por un flujo sangu Como las dos Fridas, conectadas por un flujo sanguíneo invisible, las novias se lanzan al abismo de una vida juntas. / Like the two Fridas, connected by an invisible bloodstream, the brides plunge into the abyss of a life together.
Este retrato me recuerda a los que hacían los art Este retrato me recuerda a los que hacían los artistas europeos que tenían una visión idealizada de América y jamás habían visitado la selva. / This portrait reminds me of those made by European artists who had an idealized vision of South America and had never visited the jungle.
Este es un retrato del señor Luis Carlos en la fa Este es un retrato del señor Luis Carlos en la fantástica fiesta de El Gran Poder en La Paz, Bolivia. En la primera foto hay una intervención con Adobe Firefly, la segunda es la imagen original. Realidad y ficción se juntan.
Me fascinan esas alas de mariposa. Será que le pe Me fascinan esas alas de mariposa. Será que le permiten volar? O es solo una postura estética, una ansia imposible, un deseo de trascender.
Cantante de ópera peruano. Retrato antes de su de Cantante de ópera peruano. Retrato antes de su debut en el teatro de la Scala de Milán.
Estoy convencido de que los burócratas en realida Estoy convencido de que los burócratas en realidad son ángeles caídos que han descendido para ayudarnos a navegar los laberintos de Kafka.
En homenaje al maestro Fernando Botero, uno de los En homenaje al maestro Fernando Botero, uno de los grandes de Latino América
Disculpas por la pausa creativa. Siempre, en toda Disculpas por la pausa creativa. Siempre, en toda casa que se precie, hay un monstruo peligroso, exagerado, verrugoso, que nos sorprende a pesar de que le conocemos íntimamente.
Let’s talk AI – Link in bio - Join us for a di Let’s talk AI – Link in bio - Join us for a discussion on AI and its impacts on photography in our next @ThePhotoSociety Presents featuring @PabloCorralVega on September 5, 2023 at 12:00PM ET. This event is free and open to the public. Please feel free to share the link https://tinyurl.com/tpspcv During this talk Pablo will explore his latest project @BestiarioAmericano (American Bestiary) where he uses artificial intelligence to question reality and the symbols we use to talk about it. With this he’s generating a portrait of contemporary America while conjuring beings that perhaps only exist in a parallel dimension. After his talk, Pablo will be joined by Santiago Lyon (@slyon66) of @Adobe’s Content Authenticity Initiative. Here, they will discuss #AI’s impact on the world of photography and Adobe’s CAI efforts to combat mis/disinformation by creating and implementing the open-source industry standard for determining the provenance, or origins, of digital file types. Pablo Corral Vega is an Ecuadorian photojournalist, writer, artist, cultural manager and lawyer who has published his photographic work in National Geographic, National Geographic Traveler, Smithsonian, New York Times Sunday Magazine, Audubon, Geo in France, Germany, Spain and Russia, and other international publications. He was a Nieman Fellow at Harvard University. He was the founder and director of the POY Latam photography contest, the largest in Latin America. He is the editor-in-chief of POY Latam magazine, a space that seeks to bring art and literature closer to journalism, and was the curator of the Coronavirus postcard series with the New York Times. The talk will be followed with a Question-and-Answer session moderated by TPS Communications Director @AlexSnyderPhoto. This event is free and open to the public and is made possible with the support of our friends at Adobe. Please share the link https://tinyurl.com/tpspcv #artificialintelligence #adobe
¿Por que las Barbies y los Kens son siempre flaco ¿Por que las Barbies y los Kens son siempre flacos y perfectos? ¡Celebrar las otras formas de belleza!
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